A Motivation to Tell a Story

I'm angry. I'm extremely angry.

I'm a storyteller. I may not be the best nuts-and-bolts writer, and I'm certainly not the best at weaving my tales together and making everything make sense, but I am a storyteller and I take pride in that. Stories are important to me; I cry over the touching moments in anime, books, movies, anything. Storytelling is sacred to me.

So the abuse of it incites a righteous anger in me. WHY would a show - a show that was shaping up to be at least my second-favorite of all time - waste so many perfectly good elements? The kid who was obviously the reincarnation of the big bad of a hundred years ago shows up ONCE and disappears with no more mention made, no show down, nothing more than hints? A thirteen-year-old girl binds her soul to a demon from the Abyss, a deal that happens only when someone desperately wants to change the past, and we're never given the reason or even have it really alluded to? A nine-year-old boy - the brother of arguably the best character in the series, nonetheless! - is seen at the sight of a heinous tragedy, surrounded by corpses and flames and covered in blood, laughing at the sight of it all, and we are given nothing but the fairly obvious hints that he was in fact the killer of a main character, that he's using everyone in the story, that he retains his memories from that tragedy when NO ONE ELSE DOES, and the last time we see him in the show, all he says is that he wishes he could tell his brother, but he doesn't remember? No showdown with any of the setup villains, no closure for any of our beloved characters, and - this is probably the most heinous failure of the story, though if any of the major villains had popped back up I could have forgiven it - a clock imprinted on the main character in the THIRD EPISODE with the explicit statement that when it makes a full rotation, he'll be dragged into the Abyss (which is exactly as bad as it sounds - and we saw it happen to another character very early on, in gruesome and tearjerking fashion) - this clock, over the course of the series, ONLY MAKES IT TO THE SECOND MARKING OF TWELVE?!?

So, yeah, I can't remember the last time I was this angry. Tears were shed, parents were sufficiently exasperated; such is the life of a sentimental idiot.

I think it came on a bad day, too; I've had to deal with something of a disappointment from several people I've known for quite awhile, and I admit, when I sat down to finish this series, I wanted an escape. A story where the consequences of one's actions are destined to come about. An ideal. That's possible in stories.

And instead, I get one of the bigger letdowns of my lifetime of engaging in stories. It's not fair. It's really not.

But I knew this was a possibility. Another series I watched recently crashed and burned, but I wasn't nearly as attached to that one. I knew this might happen, much as I had hope for it not to, and I knew one of two things would happen:

One, I would be so depressed that my motivation to do anything would be sapped. I don't recall if this has happened, but I've been out of sorts lately and this show caught my fascination in a way that very few have.

Two, I would be angry, fired up, motivated to write a better story, to give my story a true ending, and to do it inside the confines of a month, just to show how much better I am than them.

Thankfully, it's the latter.

I cannot WAIT for NaNo to start.

Public Service Announcement!

The NaNoWriMo site is up and running! It's awesome and has a ton of new features. Yay!

Check it out:
http://www.nanowrimo.org/

Thought #8

Yesterday, I realized the only rapper I like at all is Agape, and I love 'Hiphopapotamus Versus Rhymenocerous' by the Flight of the Conchords, and I can kind of stand Eminem. So, apparently, I only like white rappers. The three white rappers in existence. What is wrong with me?

Interjection #2, or, I Love Animation

And I always will. So the movie 9 really made me hopeful for being able to continue to watch intelligent animated movies well into adulthood. In any of my discussions about the movie, I mentioned that I was thrilled to see the movie industry breaking out of the Animation Age Ghetto.

Then I read the Trope page, which states that the Animation Age Ghetto was "Not just subverted, but punched in the face, shot up with a machine gun, thrown off a cliff, fed to sharks, and blown up. Also gassed."

Yeah, I giggled for about five minutes straight.

Thought #7

Guys, forget about everything you've ever heard about writing. All you really need is a good friend who also writes and is willing to help you with your plot crises (and word-war during November.) Everything else is just filler.

Interjection #1

Derailing Ink's train of thought for...what year is it again?

Revising a book is stressful. School is stressful. Making costumes for fun and (a startling lack of) profit is stressful.

Revising a book while going to school and making costumes at the same time is COMPLETELY AND UTTERLY IDIOTIC.

Next weekend is AWA. These were our costumes last year. We're rewearing them on Sunday, and our new ones this year are those cranked UP TO ELEVEN.

Which I just typed as EVELN. I think my characters are trying to tell me something. Ev, I'm going to finish revising your book just as soon as the costuming crush is over. Please don't hurt me.

I'll just be going to eat Baked Barbecue Lays and read Good Omens now. That's not stressful.

Thought #6

Thought of the Day:

An agent who asks for queries only by email asked for the first five pages of The Very Watery Ocean and Other Unnecessary Tales, also via email. I wonder if this is the wave of the future. First queries, then first five/ten/twenty pages, then the first fifty pages, then the full manuscript, then an offer of representation. Good news if you write great queries. Bad news if your writing is great but your queries are terrible.